The City of Signs
Think of yourself walking through a living house that had bright yellow post-it labels sticking to every piece of furniture, necessity, luxury and every piece of item that were necessary in a successful living home. It sounds a bit more distracting rather than a helpful gesture. When I envisioned myself in Marco Polo's shoes walking through the city of Tamara, it seems like a city full of necessary signs that are placed for everybody's convenience to produce order. Without these signs available, the city would lack function and order. Also, Marco Polo explains how even without a signboard, certain figures or "things" would signify its importance by representing other "things". Therefore, every piece of landmark, place, figure or statue would have its own special meaning.
Formally speaking, when Calvino writes about Tamara and the "signs" used, I feel like he is communicating to the reader to have an opinion about people's daily social practices. We go about our daily lives seeing what we may believe should result in an automatic reaction, response or specific practice that we fulfill without question.
What I thought was ironic about what Calvino wrote in the last paragraph was "You leave Tamara without having discovered it" because Tamara is a city full of signs. I feel like the reader can easily relate because we have all had our fair share of "signs" we have encountered, yet we slip through the cracks of not really understanding or grasping what the root of a situation may be. That can also relate to going back to a house full of bright yellow post-it signs. The sign labeling the toaster, the microwave, the couch or the T.V. would be a huge distraction of the feeling and comfort of the house itself.
Thursday, September 26, 2013
Thursday, September 19, 2013
Adelma
Adelma
The written piece, “Adelma”, is a chilling and frightening look into what Marco Polo portrays life after death would be like. According to the writer, the city, Adelma, is a dark, gloomy place haunted by the living dead in which they live their daily lives knowing that they are damned for sadness, as they “arrive dying and where each finds again the people he has known.”
Throughout the entire piece, Marco Polo explains how everyone seemed familiar to him. For example, the sailor on dock resembled a deceased man who had soldiered with him and the girl lowering a basket from a balcony was identical to a deceased girl from his village who had killed herself over love. It was as if he was walking in the city of Adelma amongst the already dead, especially when he saw the vegetable vendor as his grandmother. It is self-explanatory to the reader that his grandmother is deceased yet he had recognized her here, in the haunting city of Adelma.
In conclusion, the best way I pictured Adelma in my mind was seeing it as if it were a bad dream. In your dreams, you encounter faces you have never seen before, yet they are a representation of people that are in your everyday life. Except, he was comparing the living and the dead. These people living in the city of Adelma reminded him of people that had already died which is why he relates Adelma to an unhappy life after death. I agree with the writer in a sense that when you meet new people in your life, it is very rare to hear someone say, “I have never met anyone like him or her before.” We blame human nature for comparing people that we already know or have known to people we meet for the first time by finding similar traits, qualities, expressions, etc. Nevertheless, Adelma allows the reader to create an imagination of what life after death is by using faces we have once known.
The written piece, “Adelma”, is a chilling and frightening look into what Marco Polo portrays life after death would be like. According to the writer, the city, Adelma, is a dark, gloomy place haunted by the living dead in which they live their daily lives knowing that they are damned for sadness, as they “arrive dying and where each finds again the people he has known.”
Throughout the entire piece, Marco Polo explains how everyone seemed familiar to him. For example, the sailor on dock resembled a deceased man who had soldiered with him and the girl lowering a basket from a balcony was identical to a deceased girl from his village who had killed herself over love. It was as if he was walking in the city of Adelma amongst the already dead, especially when he saw the vegetable vendor as his grandmother. It is self-explanatory to the reader that his grandmother is deceased yet he had recognized her here, in the haunting city of Adelma.
In conclusion, the best way I pictured Adelma in my mind was seeing it as if it were a bad dream. In your dreams, you encounter faces you have never seen before, yet they are a representation of people that are in your everyday life. Except, he was comparing the living and the dead. These people living in the city of Adelma reminded him of people that had already died which is why he relates Adelma to an unhappy life after death. I agree with the writer in a sense that when you meet new people in your life, it is very rare to hear someone say, “I have never met anyone like him or her before.” We blame human nature for comparing people that we already know or have known to people we meet for the first time by finding similar traits, qualities, expressions, etc. Nevertheless, Adelma allows the reader to create an imagination of what life after death is by using faces we have once known.
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